Slam Dunk South took place in Hertfordshire at the uni, and overall the festival was good, but a few major issues cropped up for everyone who attended. First of all it was hard getting to the actual venue, which was set on uni campus. The email sent round said that there would be a shuttle bus every ten minutes to pick people up from the train station, but the bus didn’t show up. The organisers hadn’t put a steward at the station to guide the way and a lot of confused people got on wrong buses or ended up getting taxis. Some people braved the rain (myself included) to walk to the campus, which was quite near to the train station. The second organisational shambles was the ticket exchange. I simply don’t think the organisers were prepared for the number of people showing up, which made the queues massive. Putting the e-tickets, guestlist and VIP wristbands all at one stall with one person manning it was also stupid, and meant that a lot of people missed some of the first bands that were playing.
Finally getting into Slam Dunk, I managed to catch the end of Save Your Breath on the outside stage, who were totally feeding off the tiny crowd of people who had managed to get into the festival already. They kept getting applause from people queueing in the car park, meaning more people probably saw them then they noticed. They played all of their hits, a really strong set. They even saw off the rain. Walking around the festival I found there to be a very chilled and friendly atmosphere. I joked with security and the bar staff were really friendly. The bonus of having Slam Dunk at the university was uni-priced alcohol, with two pints only costing £6 (Ed: at my Uni, two pints cost £3.60!). The toilets were clean the entire day which was a welcome surprise.
Following on from them were Moneen who I was really excited about seeing. They had an amazing sound supporting Brand New on their UK tour last year and they didn’t fail to please on Saturday. Even through the rain they kept diving into the crowd, which seemed to be made up of dedicated Moneen fans singing every word back to them. Something which I experienced all through the day was quite poor sound quality, which showed for Moneen when the singer’s vocals couldn’t be heard for the first and second songs. However it didn’t spoil the buzz as they played crowd favourite ‘Don’t Ever Tell Locke What He Can’t Do’. The band ended weirdly, with the singer jumping into the crowd and running away. He didn’t even say goodbye! Maybe he wanted to get out of the rain?
The start and end times of the bands were unpredictable, so I made my way over to the Imperial stage, which was focusing on thrash and metal bands. I bagged a good spot for the band I was most excited about seeing, Fact. I feel really sorry for anyone who didn’t catch this band, because they poured their heart and soul into the performance. They claimed they would make everyone’s panties wet, and I challenge anyone who was there not to agree that they did their job. They were full of energy, playing into the crowd and interacting with everyone. One again sound was an issue, with the singer repeatedly asking for his mic to be turned up, but even so the crowd were moving, starting mosh pits and punching the low ceiling for the whole set. Fact played a lot of hits, the best being Fact of Life which everyone sang along to and the new single Slip Of The Lip. I’ve heard criticism of this band before saying they use a backing track when performing but I can safely say that is rubbish, they actually make all that noise by themselves. I was deaf in one ear for two days afterwards. They were by far the best band of the day and amazing to experience live.
Late in the day now, problems started to arise with the inside stages. Having three stages upstairs in the venue was never a good idea, as safety issues meant people were queueing downstairs missing their favourite bands who were playing to fewer people than they should have been. I queued to get to the Kerrang! stage for twenty minutes, but the wait was made a bit more bearable by security, who were handing out water to people who looked uncomfortable. They didn’t deserve the abuse they were getting. I gave up on the traffic jam to get upstairs, which would prove to be a fatal error for anyone who wanted to see Four Year Strong, Capdown or New Found Glory. The whole of the inside of the venue went on lock down, with no one allowed in or out. Even Chas P Williams (formerly of Lightyear) couldn’t get inside to finish his set, leaving his bassist and drummer stranded playing the same riff over and over again until the bouncer would let him in! A statement released by Slam Dunk apologises for the disappointments but that they are bound to have teething problems with a new venue. Hopefully next year they will either have more than one outside stage or change venues altogether.
The outside stage was my favourite stage of the day; Against Me! played a strong set, the singer’s vocals sounded amazing. The weather turned out to be dry for the rest of the night, as people danced in their own little circles to classic AM! songs.
The last band of the night that I saw was Alkaline Trio. I have seen Alkaline Trio before but I have to say they played the strongest set I’ve ever heard them play. This band knows what their fans want to hear, with favourites such as Stupid Kid, Armageddon and Radio being screamed out by both band and crowd. They chucked in lesser known but equally loved songs ‘97 and Warbrain, mixed in with a couple of songs from the new album. Everything about their performance was good, a perfect way to end the day.
Overall, I probably would go to Slam Dunk again. Despite the overcrowding inside the crowd mostly stayed positive and cheery. It was easy to talk to people and easy to talk to bands after their sets. Most bands hung around their merch stands, there wasn’t any celeb VIP treatment. Most bands set up and dismantled all their equipment and seemed to be really happy to be there. Hopefully next year the weather will be brighter and the organisers won’t make the same mistakes again.
Image found here, released by AlexDiru under a CC-BY-SA licence.





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