Festivals

Easy Star All-Stars — Sziget 2010

Easy Star All-Stars, thanks to Brian Marks

Easy Star All-Stars, thanks to Brian Marks

Some of you may remem­ber that we have already brought you one review of Easy Star All-Stars this year, but just in case you haven’t had chance to read it, or have for­got­ten, here’s a quick recap.

Easy Star All-Stars are a New York reg­gae band who spe­cial­ise in cov­ers of fam­ous rock albums. So far, they’ve released “Dub Side of the Moon”, a reg­gae ver­sion of Pink Floyd’s epic Dark Side of the Moon, still widely acknow­ledged as one of their best. Their ver­sion of Money has bub­bling and cough­ing instead of money clink­ing in a cash draw, and the entire record has a chilled out, upbeat feel to it that the ori­ginal does not. Their next record was “Radi­odread”, a col­lec­tion of their favour­ite Radi­o­head songs. This album was what really pushed them into the spot­light, espe­cially the track “Karma Police”, which is, in my opin­ion, even bet­ter than the ori­ginal (and the ori­ginal was pretty good). Their most recent release was “Ser­geant Pepper’s Lonely Hearts Dub Band”, and if you can’t work out what that is, then, well, frankly, we don’t want you as a reader.

Their per­form­ance in Shef­field was, in short, excel­lent, so when I saw them billed on the World Music/Reggae stage at Szi­get, they went straight on to my “must-see” list. As I wandered up to the stage, the smell of marijuana sud­denly struck me. At the Shef­field gig, the band had of course been indoors, but the nature of the fest­ival allowed their fans to smoke openly. In some ways, I think this improved the atmo­sphere — there were a lot more people chilling out at the back of the crowd, and there were a lot of people sit­ting down. On the other hand, it meant there were fewer people up at the front dan­cing. Easy Star All-Stars were, as I expec­ted, fant­astic. The easy, relaxed reg­gae ver­sions of songs every­body knows won the crowd over very quickly. For a man who must be get­ting into his fifties now, Ras I Ray, the front man is one hell of a mover as well — I think three quar­ters of the girls in the audi­ence (and a quarter of the guys as well!) were trans­fixed by his dan­cing. My opin­ion of the band has not changed in the slight­est, and a few of their songs are on my Spo­tify Off-Line playl­ist — and I never skip them.

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