Album Reviews

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Daniel Clark — British Summertime EP

Daniel Clark

As Broken Stones echoes around my liv­ing room, I reflect on the apt­ness of the title of this EP. The music has a dis­tinctly sum­mer­time feel, min­imal acous­tic gui­tar with simple bass and per­cus­sion, at a relaxed tempo. The pro­duc­tion and qual­ity of the record­ing is superb, and allows Clark’s voice to stand out. The […]

OneState — Migratory Patterns

OneState - Migratory Patterns

OneState have been mak­ing a few ripples in the big pond that is UK punk of late, sup­port­ing Sonic Boom Six and Ran­dom Hand, being com­pared to Pro­pa­gandhi, and pick­ing up favour­able reviews from all over the inter­net. And I can under­stand why. Their debut EP, Migrat­ory Pat­terns, is a very power­ful punk record. There’s a […]

KLOGR — Till You Decay

KLOGR

KLOGR are an Italian out­fit that refer to them­selves as sit­ting “on the thin line between altern­at­ive rock and altern­at­ive metal”. The first track on the record, “Live Dying” blows this out of the water — Till You Decay is very def­in­itely a metal album. It’s not par­tic­u­larly heavy metal, but it’s metal non­ethe­less. Within ten seconds, […]

Shoshin — City of Patience

Shoshin, thanks to Christopher Medale

City of Patience is the debut album from Shoshin, an inde­pend­ent band hail­ing from North West Eng­land. I’m strug­gling to work out what to say about the album — it’s noth­ing like what I was expect­ing. Read­ing up on the band, it becomes appar­ent that their ethos is very much in line with the punk […]

Alkaline Trio — Damnesia

Alkaline Trio, thanks to IllaZilla

A little over a year ago, we covered This Addic­tion. The record marked a bit of a return to Alkaline Trio’s punk roots. It’s inter­est­ing then, that the follow-up should be such a risky move. Dam­ne­sia has only two ori­ginal tracks on it (the rather weak Olde Eng­lish 800, and the decent I Remem­ber a […]

Rise Against — Endgame

Rise Against, thanks to Hugo Chisholm

Recently, I’ve become some­what dis­il­lu­sioned music­ally. I’ve strayed away from my favour­ite bands, or listened to their old albums on repeat. I’m fully aware of how Pitch­fork this sounds, but most of the stuff that’s come out in the past year or two has just been of a much lower qual­ity than before. Less innovative, […]

The Pretty Reckless — Light Me Up

The Pretty Reckless, thanks to Karen Curley

At first glance you can eas­ily mis­judge this band, lead singer Taylor Mom­sen looks like an L.A hybrid of Court­ney Love and Cherie Cur­rie. Although Mom­sen seems to try too hard to be rock and roll, think­ing mounds of black eye­liner, con­fess­ing her love for knives and swear­ing before every word is edgy, she will […]

Richard Haswell — Safety In Movement

Richard Haswell

Richard Haswell has pre­vi­ously been known as “Rhu­barb” and “G for Gnome”. For his latest album, how­ever, he has ditched the monik­ers and is using his real name. This move reflects the over­all feel of the album. It is accom­plished and grown-up, and his twenty self-released album exper­i­ence shines through. The album starts slowly. The […]

Obsessive Compulsive — Dreams Of Death and the Death Of Dreams

Obsessive Compulsive

Dreams Of Death and the Death Of Dreams is Obsess­ive Compulsive’s debut album, released on their own label, Voci­fer­ous Records, yes­ter­day. Over the course of the past few years, the band have released two EPs, and built up a strong, nation­wide fan base through tour­ing. They describe them­selves as dark punk/metal/alternative. Their metal influ­ences are […]

Alkaline Trio — This Addiction

Alkaline Trio, thanks to IllaZilla

“This Addic­tion” is the first album that Alkaline Trio have released since they par­ted ways with Epic Records in 2009. Now estab­lished on their own label; Heart and Skull, its clear the band have made a few changes to their sound as well… Now before we go any fur­ther I have to explain that I approached […]

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Daniel Clark — British Summertime EP

As Broken Stones echoes around my living room, I reflect on the aptness of the title of this EP. The music has a distinctly summertime feel, minimal acoustic guitar with simple bass and percussion, at a relaxed tempo. The production and quality of the recording is superb, and allows Clark's voice to stand out. […]