News 09/03/2010
Roy Berry and Brian Venable of Lucero were mugged recently after a show in Georgia (the US state, not the former soviet republic). Berry’s jaw was broken, and the band have had to cancel at least one gig.NOFX’s Fat Mike has had his phone stolen in Argentina. He was apparently sending a text message on his iPhone when it was knocked out of his hand by a guy on a bike, who then made off with it. He lost the phone and “a few hundred dollars”, but was not hurt. In fact, he seems to be quite positive about the whole experience, saying “What a fucking great way to get robbed. No violence, no trauma, no chance I’m gonna run after him. Pretty sweet really”.
P.O.S. has remixed Breathe Carolina’s Hello Fascination. The video’s here.
Bad Religion will be giving away a live album being recorded on their Spring tour to members of their mailing list. For more information and to join, click here.
Belle & Sebastian have sent an e-mail through their fan mailing list saying that they’re going back into the studio after a four year break to record a follow-up to The Life Pursuit. Apparently, it’s all written, so they just need to record it.
Here We Are Juggernaut, a track by Coheed and Cambria, is now available on the band’s MySpace.
Amber Pacific will be releasing their album Virtues on the 13th April. You can pre-order it here (American site).
Daphne Loves Derby have posted a new song, Shine, to their MySpace.
Mark Linkous (Sparklehorse) has committed suicide. Our thoughts are with his family and friends at this sad time.
By Joe InnesJacko-Wackos! Beat It!
I’m sure you will have been following, as I have, the events following the death of pop’s greatest icon, Michael Jackson and the subsequent trial of his cardiologist for misconduct in allowing the singer to ingest a lethal amount of pain-killers as a sleeping aid. If convicted of involuntary manslaughter Dr Conrad Murray could face 4 years in jail in addition to the loss of his medical license. All of which is, as they say, fair enough. If Murray did indeed administer the lethal dose then he should be punished by whatever means the American judicial court deems necessary.What is, however, completely unnecessary is the cluster of half-soaked, whitewash-brained morons who have converged around the courts with the intention of hounding Conrad Murray with cries of “murderer” and “monster”. I saw a video of Murray arriving at court and was horrified by the abuse he had to put up with during the short walk from the car to the front door. Anyone with enough brains to put their shoes on the right feet will realise that Murray was a close friend of Michael’s who has undoubtedly been hit as hard as anyone else by his untimely death. If it was his fault, then it doesn’t need to be said that he made a terrible mistake, but he did NOT murder him, despite the best attempts of the corn-circle society to claim otherwise.
This is what really gets on my nerves about these situations; the immediate and incessant finger pointing, the unquenchable need to find a scapegoat and witch-hunt them into submission. And it ALWAYS happens when someone as famous and as widely-loved as Michael passes away. Bruce Lee for example, was apparently not killed by prescription medication, but in some weird conspiracy involving martial arts masters who took exception to his teaching Kung Fu to western actors. Kurt Cobain, despite a colourful history of heroin abuse and suicide attempts, allegedly has his brains blown out instead by his wife Courtney Love, in a mad attempt to squeeze some extra cash out of him. And Elvis, well he’s not even dead. Yeah, right.
This is a problem when a celebrity’s fame reaches critical level. Fans become so in awe, so enamoured that that their idol becomes, in their eyes, almost immortal; a celestial demi-god far above the mantle of the bottom-feeding masses. So when the star eventually bites the dust they can’t take it. It’s impossible for them to believe that their star is in fact human just like them, as equally susceptible to overdose, buckshot or toilet-induced heart attack as they are. And so they point fingers, they demand answers, and if there aren’t any then they make up a few of their own. Some unbelievably can’t even function without the presence of their idol. We’ve all seen the tearful rantings of pitiful-excuse-for-a-whining-web-wimp Chris Crocker defending Britney Spears, and when Take That split up in 1996 a suicide hotline had to be set up. I mean, how pathetic is that?
And yet, this is the direction in which our celeb-obsessed society seems to be heading and why these idiots won’t rest until they see Conrad Murray hanged.
What you need to remember is that this man was the personal doctor to one of the richest and most successful pop stars of all time. This was not just a regular patient who would take a prescription and shuffle off to the pharmacy, this was a man who could afford the best doctors money could buy. It was no secret that MJ was addicted to painkillers following his accident whilst filming the Pepsi commercial, so think about it — if the man who pays your wages and puts your kids through college asks you for a bit more medicine, you give it to him; if not, he’ll simply find a doctor who will. I am by no means trying to justify what Murray may or may not have done, but he is being tried for manslaughter, not murder. The man is innocent until proven guilty and owning a subscription to the Michael Jackson fan club and a dodgy haircut doesn’t appoint you judge and jury. We live in a civilised society where everyone is entitled to a fair and unbiased trial, and anyone bone-headed enough to condemn a man without full possession of the facts deserves a better view of the courts, from the dock. So my advice to any of these would-be Jacko-Wackos is this:
Put the placard down. Go home. Get a life.
By Tom LawlorNews 02/03/2010
By way of apology for the slow news week, please accept this amazing video of Ellie Goulding covering The Temper Trap’s “Sweet Disposition”.
Punk Goes… next release will be “Punk Goes Classic Rock”. It will include covers of Boston, Queen, Kiss, Blue Oyster Cult, Jimi Hendrix, Ozzy Osbourne, and more.
You can check out Killswitch Engage’s contribution to the God of War soundtrack, My Obsession, here.
Please don’t vomit with this one: Chad Gilbert and Hayley Williams have done a low-quality cover of The Moldy Peaches “Anyone Else But You”. If you are a masochist, then click here.
By Joe InnesTwo Tongues — Two Tongues
Two Tongues is a collaboration between Max Bemis of ‘Say Anything’ and Chris Conley of ‘Saves the Day’. Being a huge fan of both the bands I was very excited about the release of these thirteen tracks; and I am not disappointed.Bemis and Conley share writing, vocal and guitar duties. Bemis brings his trademark venomous vocal styling to the mix but it is Conley who truly shines; with a sound reminiscent of ‘In Reverie’.
Bemis describes the album as an ‘expression of the Yin and the Yang; how two “opposite” souls stimulate and battle each other in any truly loving relationship.’ and that is certainly the impression that you get from listening to it. The lyrics to some of the songs are ambiguous as to whether the two are singing to each other or about another unvoiced person.
The writing is consistently strong, soulful and mildly disturbing at times with both bands’ influences instantly recognisable. The music is strong throughout although the more experimental songs do make you wish that they had stepped outside their safety zones on more of the tracks.
Overall this is a brilliant effort with some truly great guitar riffs and lyrics that will rattle around your head for days afterwards; both Bemis and Conley excel in their writing and performance of these songs, it just never quite reaches the level of brilliance of ‘…Is a Real Boy’ or ‘Stay What You Are’.
Stand out track: If I Could Make You Do Things
By Christopher HodgkinsNews 23/02/2010
Straylight Run have announced that they are now on an “indefinite hiatus”. However, Shaun has quit the band for good.Zoli Teglas (Ignite) is Pennywise’s new vocalist. Allegedly, it happened as a result of a misdialled telephone number.
As part of the Olympic celebrations in Vancouver, a project called “LiveCity” was conceived, to bring live music to Vancouver for free. Alexisonfire were playing one of these free concerts, and unfortunately the crowd rushed the stage, and several people were hurt.
The first batch of bands confirmed to play Download this year are: Rage Against The Machine, 30 Seconds To Mars, AC/DC, Billy Idol, Aerosmith, Bullet for My Valentine, Deftones, Fine Finger Death Punch, Lamb Of God, Megadeth, Motörhead, Stone Sour, Stone Temple Pilots, Them Crooked Vultures, Volbeat and Wolfmother.
The drummer from Dream Theater, Mike Portnay, will be recording drums on Avenged Sevenfold’s new album. He was Jimmy “The Rev“‘s favourite drummer, and when the band asked, he said it was an honour.
Streetlight Manifesto have released the track listing for their upcoming album, instalment one of their 99 Songs of Revolution. You can check out the track listing here.
Hawthorne Heights have postponed the release of their next album, Skeletons, until 1st June.
One Nine Nine Four, a documentary about Punk Rock, featuring some of the biggest names of the nineties is expected to be released this year. In the meantime, a clip has found its way onto YouTube.
Gob are planning to record a new album next month, according to this MySpace blog post by Tom.
You can stream “This Addiction”, the whole album, for free, from Alkaline Trio’s MySpace page.
Pocket Satellite’s car got broken into, a guitar, a snare drum, and a violin were taken. The violin was quite distinctive, and had great sentimental value.
The Climbing, made up of former members of Daphne Loves Derby and Transition are allowing streaming of their new album, Perspective, featuring Stephen Christian and Mike Herrera, of Anberlin and MxPx respectively. You can check out the stream on Facebook.
You can download a new track by Forever the Sickest Kids over at their MySpace. The track is called “Get Over Yourself”.
Motion City Soundtrack are releasing a free download of their track “Sunny Day” to their UK fans ahead of the release of My Dinosaur Life on the 22nd March. You can grab the track here. Immediately after the album release, the band are going on a UK tour. Dates are on their MySpace.
By Joe InnesMotion City Soundtrack — My Dinosaur Life
Motion City Soundtrack’s newest offering ‘My Dinosaur Life’ is an album I want to be derogatory about. I want to say that it is just a rehash of albums past, the same tired old offering etc., etc. I want to say all of these things but I just can’t. Like every Motion City album since ‘I Am The Movie’, the first listen doesn’t wow you, but gradually those twelve songs worm their way into your sub-conscious and you find yourself humming them in the car/bath/toilet.This is another fine offering from the quintet, full of songs of insecurity, pessimism and slasher films. Pop-culture references are rife and the hooks are as catchy as ever, but there is something missing. Long time fans will by now have come to expect the haunting acoustic track that adorns every album since ‘I Am The Movie’. ‘Stand Too Close’ is ‘Dinosaur’s’ offering and it’s fine. It’s just no ‘The Conversation’ or ‘Hold Me Down’. That theme is recurrent throughout the album; the songs are good and catchy but there’s no ‘Capital H’, ‘The Future Freaks Me Out’ or ‘LGFAUD’. The stand-out songs are very good ‘Worker Bee’, ‘A Lifeless Ordinary’ and ‘Pulp Fiction’ but I doubt you would put any of the others on your MP3 player.
With Mark Hoppus back on production à la ‘I Am The Movie’, I expected so much more than an album that is fine for background music and not much else. Although in saying that, I am humming ‘A Lifeless Ordinary’ as I work so maybe it’s not all bad.
By Christopher HodgkinsYouMeAtSix — Hold Me Down
YouMeAtSix have divided the music critics with their latest offering, Hold Me Down, since it came out on January 11th. And to be fair, I can see why. The main criticism that has been levelled at the band are that the record is unoriginal, and that there’s nothing on the album that hasn’t been done before (New Found Glory, Taking Back Sunday, and Hoobastank are three names knocking about on the Wikipedia page). But then, in the words of Jeremy Clarkson, isn’t that like criticising a man for looking too much like Brad Pitt?I have to agree with the critics, I don’t think there’s much new or exciting on this album. There’s nothing ground-breaking, and nothing to write home about. The album is well put together, the tracks are well written and well performed. The lyrics are well thought out. In fact, “well done” is pretty much a catch-all term to describe this album. It has no faults, nothing bad that I can pick out. It runs the gamut of pop-punky power rock with, for example, “Underdog”, through to the softer, more ballady “Liquid Confidence”. There are guest vocals provided by The Blackout’s Sean Smith and Kids In Glass Houses’s Aled Phillips, both good choices, and it’s undeniable that they add something extra to the tracks they guest on.
But does it have a spark? Is there something in the album that makes it special? Frankly, I can’t say that there is.
And it doesn’t matter. The album is so well done that it fits in with its contemporaries. It might be generic, but it’s incredibly listenable. If YouMeAtSix come on, I’ll never skip the track, I’ll never change the radio station, and by the end of the song, I’ll be singing along. If YouMeAtSix wanted to change the music scene, they failed. But if what they wanted to do was to put out a record that people can enjoy, not once, not twice, but over and over again, then they succeeded. And then some.
By Joe InnesBombay Bicycle Club
February 11th and after a week in action, the NME Awards tour is in full swing. Tonight it’s Birmingham’s turn to play host to the onslaught of Indie rock and judging by the number of people, youngsters and adults alike who are already braving the freezing conditions when we arrive, it’s not hard to see why the tour has sold out all but three of its fourteen dates. Bombay Bicycle Club are amongst the line-up which also boasts the Maccabees, The Drums, and London’s electro-rock duo The Big Pink, who are already warming up the ruddy-cheeked members of the audience as we pick our way through towards the back rooms where Suren and Ed are enjoying a quiet beer before its their turn to hit the stage. They confess to being a little tired at this point in the tour, but there are some smiles when they see the donkey piñata we brought for them to pose with. Before they can get down to some serious mule-whacking though, we have a couple of questions….You just came back from a pre-show gig at Birmingham University, how did it go?
Suren: “Well, it was quite good…”
Ed: “We kept fucking up in little ways that made us look very dumb!”
Suren: “It was quite weird because we were playing in a Cafeteria; there was a lot of noise from the crowd.”
Ed: “Yeah, and half the people were there to eat lunch and the other half were watching us.”
So are you more comfortable playing in a smaller environment?
Ed: “Yeah, anywhere but a cafeteria though. It is nice to go to Uni’s and places like that, just for people who can’t come to the show.”
Suren: “We’ll be doing a few things like that during the tour, we’ve played in libraries and just random places like that.”
As a band you started quite young, do you feel like you’ve had a good head start in the music industry?
Ed: “Yeah I think we have, most people reach the stage we’re at now when they’re in their early twenties, so we’ve got a good amount of time.”
Have you ever found that other bands have been threatened by how much younger you are?
Suren: “I guess some bands probably get kind of arsey, they think we’re just stupid little kids.”
Ed: “That’s fair enough, we are stupid little kids! We find most people are friendly with us, but we just play music and hang out.”
You’re known for having quite a laid-back attitude towards your music. Do you feel that it’s something that can be passed on to fledgling musicians?
Suren: “We’re probably a little bit too laid back to be honest. They should find a middle ground.”
Ed: “Yeah, they probably shouldn’t be this laid back about it because they won’t get anywhere, we were very lucky. We are very focused when it comes to playing and writing music, and everything else.”
Apart from winning “Road to V” was there a defining moment when you realised “Fuck, I’m famous”?
Ed: “Well, we entered Road to V more as a joke and then we forgot that we’d entered, but we just happened to win. It didn’t even feel like a defining moment then, only recently have we realised that it was bigger than we thought it was at the time.”
Suren: “But even now we still don’t feel like we are famous.”
Ed: “There’s been defining moments in our career that have been amazing, and we’re thankful for having done them.”
Do you still get to do the normal side of things like going out with friends?
Ed: “Yeah, all the time. When we’re not playing in the band we’re still friends with the same people we’ve always been friends with, prior to the band. It’s just like the band is a job we have, we do it and then we go home, like we all still live with our parents. It’s still fairly normal.”
Ed, you joined the band when you met them at a funeral, how did that happen?
Ed: “Well that’s just something we say in interviews really; I did know the guys beforehand, but we were all at a funeral, and they had to play a gig the next day. I knew them fairly well and I can play guitar so they asked me to play bass just to fill in, and after that they asked me to join.”
You’re playing a fundraiser for the Haiti earthquake in a couple of weeks, is that something you personally wanted to be a part of?
Suren: “It’s definitely something that we wanted to do. We get asked to do quite a lot of charity gigs that we cant do coz’ we’re always up and down, but this is one that we were really interested in doing.”
Ed: “Well after a disaster like that you’ve got to help out anyway you can. And this is something we can do fairly easily, so we have to do it to make a difference.”
And are you getting along well with the other bands on the NME tour?
Ed: “Yeah we love them, they’re all really nice. We usually go and have a few drinks with them most nights.”
Suren: “We sometimes have DJ sets afterwards as well so the other band will come along and they’ll be like…”
Ed: “Boogie-ing to the mixes!”
Some of the songs for “I Had the Blues…”were written a few years in advance, do you think there’ll be a more pressured approach for the second album?
Ed: “Some of the songs are about four or five years old, but some newer ones were written at the time of recording. I think there can be the normal second album syndrome, where you’ve got 15 years to write one album and then one year to write the second, but I don’t think we would find that kind of pressure.”
Suren: “Well we’ve got a few ideas already for songs, so they’re already coming along.”
Ed: “I don’t think we’re a band that would ever rush anything anyway; we’re so laid back it could take years, I don’t think even the record company would be able to make us do it!”
Any other plans after the NME tour?
Suren: “Well we’re just about to finish recording a new acoustic album which was meant to be finished quite a long time ago, in fact I think we’re supposed to finish it like, tomorrow! But that should be coming out in the summer.”
Ed: “I think we’ll do a nice little tour of that as well, hopefully in some nice venues. We like to play in churches, places you wouldn’t expect a band to play. All these bigger venues are the same really, they lack soul.”
Suren: “We did an acoustic tour before, and we asked our fans to suggest some random places for us to play, so we ended up playing on a beach, down a mine shaft, in a castle, and it was the funnest tour ever.”
Any plans to conquer America yet?
Ed: “I’d like to go to America first, really.”
Suren: “We might actually be recording in America, we’ve been talking to a producer over there. We won’t actually be playing over there yet, but hopefully we will soon”.
As they take to the stage and immediately commence with their set
opener; “Emergency Contraceptive Blues” is undoubtedly the beginning of the most energetic live performance I (and most likely a lot of people) have seen the band play to date. Jack in particular, thrashes around like a man trying to shake a bat out of his hair and in the quieter moments, looks as though anything could set him off again. Suren and Ed exhibit none of the lethargy we saw earlier. Instead they display such enjoyment at what they do that when Jack assures the audience (as bands always seem to), that they have been the best of the tour so far, it’s difficult not to believe him. Despite the amount of oomph they throw into their set, it sounds water-tight, and not once during Jack’s physical tirades do I hear him miss a note. All the favourites are thrown in; their most pop-friendly number, “Open House” is greeted with a riotous response and festival-favourite “Cancel on Me” heralds the first of a steady stream of crowd surfers. But it’s “Always Like This” that steals the show, and ensures the band can leave the stage knowing they’ve conquered another city. They aren’t headlining the show, which is brought to a fire-breathing conclusion with an indefatigable performance by The Maccabees, but I don’t doubt that they will be back here soon with a show of their very own; these kids are going to be around for a while! By Tom Lawlor
Against The Wheel
The first instalment of the Joe’s Big Toe “Unsigned Artist of the Week” is “Against The Wheel”, a dynamic rock four-piece from Birmingham. We caught them at The Actress and Bishop last week and we liked what we saw:
It’s 10:45pm and Against The Wheel are just taking the stage. Whether it’s strictly business or they’re just running late, it looks like there’s no time for small-talk. Guitarist/lead vocalist Gavin Flint and drummer Andy Watson share a quick exchange before launching into the first song of the evening; and almost immediately it becomes clear that this is a band who know their trade. This is uncut no-frills rock that at times resembles a head-on collision between Pearl Jam and Soundgarden.The music itself is electrifying, carefully crafted but instilled with a raw passion you can only get from new talent waiting to be discovered. Technically proficient without sounding too studious; it’s easy too see why Against The Wheel have cited such a varied selection of artists as the influences for their sound.
The only criticism I could have about this band is that you can’t help but feel that something is stopping them from really cutting loose. Watching them play gives you the same feeling as being in a schoolyard goading your best friend into a fight, and I almost found myself waving my arms at them; “more energy, more punk, more passion!!” Their last two songs were clearly old favourites, as something lit a fire under them and as they drew their set to an ear-splitting close, you could almost hear the reaction of the audience around the room – “that’s more like it!”]
Against The Wheel will be at Marrs Bar, Worcester on 13th Feb – definitely worth a look.
By Tom Lawlor

















